Pirates of the Caribbean: On Stranger Tides represents the fourth entry in this unlikely series. Not bad for a series whose source material is a Disney theme park ride. They are, perhaps, the face of disposable, inconsequential summer films, but On Stranger Tides has the faint stink of a phoned-in… Continue reading
The Adjustment Bureau somehow successfully combines romance, comedy, and science-fiction into an elegantly woven tale of the lengths in which we’ll go to defy Fate to be with the one we love. It may sound heavy, but the film introduces just enough ideas to keep interest and provides just few… Continue reading
Let this be said right off the top: Rango is a visual masterpiece and one of the finest works of computer animation to date. Seen theatrically on a DLP projector, one can only sit in awe of the attention to detail, lush locations, and incredible textures. It’s all so amazing… Continue reading
I Am Number Four is being billed as a high-octane superhero movie. It does eventually become one in the third act, but it happens long after anyone could possibly care about the story, characters, or anything else in this teenybopper cross-pollination of every superhero film ever made and the Twilight… Continue reading
From the “guaranteed to depress” files comes Blue Valentine, writer/director Derek Cianfrance’s exhaustive dissection of a relationship from beginning to end. Put an accent on “end,” because the film spends much of its runtime wallowing in its own misery and piling catastrophe upon catastrophe. Where Cianfrance does succeed, however, is… Continue reading
By now you pretty much know the drill when it comes to Jason Statham action vehicles. He plays a largely charisma-free lead, usually a hit man or other stealthy dude, gets wronged in some way, and takes it out on, well, everyone and everything. The Mechanic, a remake of sorts… Continue reading
The Green Hornet represents a pretty big shot in the arm to the recent crop of self-serious superhero films. While those films like reflect on the problems of the times, The Green Hornet is really only interested in having fun, satirizing the genre, and packing in plenty of over-the-top action.… Continue reading
Films where one line of dialogue can solve every narrative problem are always an uphill climb. We, the audience, know the solution early on, but we’re stuck watching tongue-tied actors pratfall their way through a script that depends upon that key line of dialogue to not be spoken. Otherwise we… Continue reading
Watching TRON: Legacy, the long-awaited follow-up to 1982’s TRON, I was reminded of Siskel’s and Ebert’s 1995 roasting of Jumanji. Ebert stated that special effects have to be “at the service of the story.” It was correct then, and it is correct now. There will be very little debate regarding… Continue reading
Rabbit Hole is about as gentle and low-key as a film about the loss of a young son can be. Most can only imagine what such a tragedy would be like for a set of parents. Rather than dwell on the negative, Rabbit Hole takes us through a couple’s steps… Continue reading