Many will recall The Mask, which was released in 1994 to the tune of a $120 million total box office. It solidified Jim Carrey as a comedic star and launched the career of Cameron Diaz. While the film had an open ending of sorts, I think after about 1997 most… Continue reading
The trailers for Hitch will no doubt leave some men thinking “great, another movie where every woman will be saying ‘now why can’t I get a guy like that!?’” Sometimes I think it’s a vast Hollywood conspiracy, where the common man just doesn’t measure up. Women love to be romanced,… Continue reading
As long as director Uwe Boll is given money to make films, we are guaranteed at least one unintentionally uproarious gut-buster a year. In the case of this year, good old Mr. Boll will be reigning down a second film on us this fall: Bloodrayne. If it’s somehow twice as… Continue reading
We are now into February, and the month is immediately kicked off by another horror leftover, this time one that was originally slated to be a straight-to-video release. I wouldn’t go so far as to say that the original plan was the demise that it deserved, but this is another… Continue reading
Hide and Seek takes an intriguing first hour of buildup and flushes it down the toilet by downgrading itself to another “killer on the loose” fable that has been done time and again as of late. This is all thanks to, of course, the near-given surprise “twist” that is in… Continue reading
Hotel Rwanda faces the monumental task of chronicling and telling the story of one man’s heroism during one of the worst slaughters in recent world history, and one that most of the world turned a blind eye to. With a top notch directing effort by Terry George and the role… Continue reading
Even the tagline to Are We There Yet? is wrong. Now that may be a first. Throughout the film we are constantly reminded that Nick and the woman he hopes to date by driving her kids from Portland to Vancouver, Suzanne, are not boyfriend and girlfriend. Consider this error foreshadowing… Continue reading
Assault on Precinct 13, loosely based on the 1976 film of the same name written and directed by John Carpenter, is a gritty, violent journey that’s about twice as good as you’d expect it to be. While it is clearly a genre film, it has been nicely updated and includes… Continue reading
I can’t recall another movie in recent memory that had such an effective ad campaign for a colossal mess. Sure, it happens often, but rarely on this scale. For those who are still a bit foggy about the details of EVP (Electronic Voice Phenomenon), here’s the basic jist: People who… Continue reading
With all the gloom and doom in the world right now, sometimes it’s nice to have a well-made, well-acted, well-meaning film come along to sweep you away for about two hours. That’s exactly what In Good Company is, and that’s exactly what it does. Dennis Quaid is Dan Foreman, a… Continue reading